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b. 1

composition: Op. 50 No. 3, Mazurka in C♯ minor

No indication in AI & GE

mezza voce in AF (→FEEE)

Our variant suggestion

..

It is impossible to state whether the omission of the dynamic marking in GE was intentional without [AG]. Due to the above reason, in the main text we include mezza voce from AF (→FEEE) in a variant form.

category imprint: Differences between sources

issues: No initial dynamic marking

b. 1

composition: Op. 50 No. 3, Mazurka in C♯ minor

..

AI is devoid of tempo markings. Generally, there are barely 3 verbal indications in the entire AI in b. 17 and 89 and  in b. 191; therefore, Chopin apparently abandoned writing more detailed performance indications when it turned out that this autograph would not be a Stichvorlage. Due to the above reason, both here and hereinafter we generally indicate the absence of indications in AI in notes (these versions are suggested as variants only when one of the remaining sources is lacking in indications).

The crossings-out visible in AF over the beginning of the piece prove that Chopin was looking for the best indication of its tempo and character, just like in both previous Mazurkas. 

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Corrections in A , Chopin's hesitations , Deletions in A

b. 1

composition: Op. 50 No. 3, Mazurka in C♯ minor

No mark in AI

Long accent in AF (→FE) & GE

Short accent in EE

..

There is no accent in AI, since Chopin at some point decided not to finish this manuscript, e.g. in b. 1-15, there are no accents (out of a few ones) or staccato dots (see the description of AI). The short accent in EE is an inaccuracy resulting from the ignorance of the difference in meaning between the Chopinesque short and long accents.

category imprint: Differences between sources

issues: Long accents , EE inaccuracies

b. 2

composition: Op. 50 No. 3, Mazurka in C♯ minor

Long accent in AF (→FE)

No mark in AI & GE

Short accent in EE

..

The missing accent in GE must be the engraver's or Chopin's inadvertence, since in all similar situations, the syncopated crotchet beginning a motif is provided with an accent.

category imprint: Differences between sources

issues: Long accents , EE inaccuracies

b. 2-4

composition: Op. 50 No. 3, Mazurka in C♯ minor

..

AI is lacking in the sharps restoring f2 in b. 2 and f1 in b. 4. They must be oversights, very typical of Chopin. There is a similar situation in b. 94 and 96.

category imprint: Editorial revisions

issues: Omissions to cancel alteration , Errors of A